A Gritty Beautiful Business – Viking Moses’ “Cruel Child”
Bob Dylan’s Never Ending Tour has gone on now for so long – 2019 marks its...
Reviews Archives - Stereo Embers Magazine
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A Forceful, Eloquent Work – Robert Forster’s “Inferno”
For forever I’ve wondered: How do they do that? How do they make the ‘deceptively simple’... -
Toward the Stubborn, Invincible Presence of Beauty – The Telescopes “Exploding Head Syndrome”
More than just about any other band, writing about the Telescopes is eerily similar to listening... -
Tender Mercies Wryly Parsed – Bill Pritchard’s “Midland Lullabies”
Wanna make a stripped-down singer-songwriter record that, for the most part, is naught but your voice... -
Defying Pop’s Accepted Laws of Gravity – R. Stevie Moore’s Sparkling, Ruminative “Afterlife”
So, alright, look. This is ever-venerable, happily irascible, sadly not immortal R. Stevie Moore we’re dealing with here,... -
STEREO EMBERS VIDEO PREMIER – “Swagger” from the Mark Feldman’s LEVEL5 ‘Sybil EP’ feat. Oz Noy, Will Lee & Adam Klipple
First coming to the music world’s attention as the young – and very first – winner... -
The Laconic Confidence of a Man Vibrantly Relaxed – Bar/None’s Two New Alex Chilton Collections “From Memphis to New Orleans” and “Songs From Robin Hood Lane”
We all come to our gathered knowledges at... -
Passion, Emotion And Dark Musical Spells: Hante’s Fierce LP
I’m excited to announce that there’s new music from the Parisienne synthwave visionaire Hélène de Thoury, a.k.a. Hante.... -
Aspirational and Plainspoken, Confessional and Defiant – Michal Towber’s “No Resolution”
Well, while finally getting my bearings post-holidays, I find myself still thanking 2018 while simultaneously still... -
Charming Ramshackle Indie Rock Joy: MJ Hibbett & The Validators’ 20 Golden GRATES
I feel like an asshole because since May of last year, I’ve been keeping MJ Hibbett...